Nikki Moser, a blond womanizer, made a deal with the burgomaster. He gave him money to buy a hotel, and for this Nikki should marry his daughter Marianne. And the catch is not even that the daughter of the Bavarian city head is a mulatto, but the fact that Nicky does not want to be bound by marriage to anyone. Buddy Tony throws the poor guy the idea of ​​taking a loan, giving money to the burgomaster and sending him away with his daughter. However, to say is not to do. To knock out a loan is a complicated matter.

Damn it, life isn't kind to Hansi: his wife dies in a mountain accident. The cheerful Tyrolean becomes a taciturn man. Only the pretty radio presenter Christl manages to melt the widower's frozen heart – up in the mountain hut. Reason enough for Hansi's adversary Viktoria to sabotage the young couple's happiness...

An early declaration of war on narrative cinema, using a barrage of visual and acoustic elements while at the same time juggling ironically - as he still does - with the term 'avant-garde'. A number of other preferences and obsessions were evident at an early stage, e.g. the mind-numbing habit of having his people stumbling and screaming around: life as a race track. His films likewise feature a lot of theatrical and cryptic outpourings. No wonder that they failed at the box office. No wonder either, however, that Schlingensief was attracted to theatre.

The janitor of an apartment complex pays a visit to a resident and things get uncomfortable.

Siggi, son of the Minister of Education, is supposed to be preparing for his A-levels during the vacations. But instead he makes music.

Hansi is elated and looks forward to a happy life when his childhood sweetheart Regina marries him. However, he is unaware that his rival is conspiring to cause a rift in his family.

Bad news for Irmi Sandgruber: her son Franz has become engaged to her arch-enemy, the scheming Viktoria; it also turns out that Irmi is up to her ears in debt after a failed loan speculation. Hansi and his wife Regina search in vain for a solution. Viktoria offers to pay off the debts if Irmi and Hansi transfer the deer park to her in return. This threatens to cause a final rift between Hansi and the embittered Franz.

Hansi Sandgruber is on the trail of a dangerous poacher and asks the new mayor of Schönbichl, Lois Mostberger, for help. However, Mostberger is much more interested in the latest project of the sophisticated businesswoman Viktoria Perterer: the construction of a covered ski slope. As her first official act, Mostberger closes the retirement home, which is in need of renovation. This brings Hansi's girlfriend, the TV reporter Christl Huber, who is committed to helping senior citizens, into the picture. Meanwhile, Viktoria meets the well-off Baron Friedrich von Lien, from whom she hopes not only financial support but also a romantic relationship. While Viktoria already fancies herself a future baroness, von Lien has fallen in love with the attractive geriatric nurse Lisa Blum. Due to an intrigue, she is suspected of being a poacher and is taken into custody – until Hansi catches the real culprit.

A German film comedy

Bruce Wilton, middle-aged, rich and famous, as a producer, has been rejected by Ada von Ruyt, a revue star. Finding an affection is developing between her and Longard, now down and out, he arranges to send the man to South America with a touring company. But again rejected by the woman he loves, he causes her to be supplanted by a rival, and in a passion dismisses his secretary, her old friend. The man, who has suffered much, shoots him. Longard, thinking Ada has fired the shot, attempts to take the blame, but the murderer commits suicide.

In this interview Müller and Kluge explore the East German’s memories of the final days of the war. The session is introduced by a clip from the Russian film maker Sergei Parajanov’s 1961 film entitled The Ukranian Rhapsody. Here a soldier of the Red Army is writing a letter to his fiancee Oskana on the home front, describing to her his imagined vision of listening to Beethoven’s Moonlight Sonata in the middle of battle. “In the past I rarely listened to Beethoven,” he says, “if he had composed only the Moonlight Sonata, the war would have had to stop in front of it too.” The scene then is interrupted by the arrival of German tanks.