A comedy that highlights values and shows how love can do everything, told from the perspective of Sebastián, a boy who was born with two parents and ended up with a different, tolerant and inclusive family, but with the true meaning of what it is to be family. The film tells the story of Virginia, who donates her eggs to her twin brother David and his partner Bruno so that they can become parents, hidden from her husband Miguel. After the birth of the baby, Bruno and Virginia die in a tragic accident, and Miguel and David must join together to protect Sebastian.

Carmela (35) is pregnant. Ivan, her current boyfriend, and Marcos, her ex, are gathered at her house. They are friends and coworkers. Carmela acts on pure impulse and announces the news of the pregnancy in front of both of them. In private, Carmela tells Marcos that he is the biological father.

Padres begins with a fabulous shot. Instead of two parents, we see two cats, one black and one white. Without exaggeration, one could say that these cats are the first "parents" of the film, happily fighting for food, one more aggressive, the other more passive. It turns out to be a brilliant association in "sacralizing" the animals and eroticizing them.

Padres e Hijos was a long-running Colombian daytime series produced by Colombiana de Televisión. On August 21, 2009 the last Padres e Hijos episode of the series aired, due to the cancellation of its contract with Caracol TV. The program is mostly remembered for its longevity on Colombian television and its alleged dubious quality.

Two scheming friends are brought over to face a paternity problem related to an inheritance but neither knows who's the real father.

Mexican feature film

Niños Ricos, Pobres Padres is a Colombian telenovela produced by the United States-based television network Telemundo. It debuted on July 7, 2009 at 9:30 pm Eastern Time, taking over the second half of El Rostro de Analía until Friday, July 17, when it completely replaced it in the 9–10 pm slot. The story revolves around Alejandra Paz, a beautiful 17-year-old girl and her mother, Lucía, an illegal US immigrant who is deported from Miami back to Bogotá, Colombia; desperate and broke, they are forced to move in with Lucía's hostile sister, Verónica. On the first day, Alejandra is invited to Isabela's party, Esteban's girlfriend. While putting a drug on Alejandra's drink. Alejandra is suddenly raped by Matías, Esteban's friend. Suddenly Alejandra and her mother are submerged into a world of intrigue and betrayal where money is no object and people are not who they seem to be. High school drama soon ensues as Esteban and David fight to win Alejandra's heart. While Esteban and Alejandra date, they are then separated by lies and betrayal made by Mónica and Isabela. Soon Isabela gets pregnant by Gabriel, Rocio and Martha's brother. Later, Isabela lies to Esteban that she is pregnant by him in order to separate him by Alejandra. Suddenly, David learns that he has the opportunity to be with Alejandra, while Alejandra can't forget Esteban and still loves him.

Elderly roue interferes in the love life of a young woman because she's secretly his daughter. Remake of En Tiempos De Don Porfirio.

Five friends on an adventure to tackle 50 miles of the Los Padres Traverse on Big Pine Buckhorn Road from Santa Barbara Canyon to Lower Oso Campground.

A family relationship drama about a strict father who wants to control his son, who in turn leaves his father's house and moves to the city.

Fatherland brings a rigorous structural approach to a site of monuments that is also a place of movement, criss-crossed daily by tourists and locals. The grounds are laid out like city blocks, with wide avenues branching onto laneways filled with elaborate mausoleums. The film does not attempt to tour the cemetery as one would on foot, however, but rather moves chronologically through the history enshrined there. A series of individuals are framed in static compositions as they read aloud excerpts from the writings of noteworthy Argentines interred within. (Some license has been taken, as the final resting places of certain figures represented - such as journalist Rodolfo Walsh, who was among the "disappeared" - remain unknown. The result is both poetic and political.) Beginning in the early 1800s, this history comprises civil war, battles with the country's native population, the conflict between the city and the provinces, and years of military dictatorship.

In 1983 a group of 154 children aged 3 and 17 years old traveled alone from Europe to Montevideo. They were children of political exiles from Uruguay, who were unable to come back to their own country; they sent their kids to know their relatives and home country. That human sign, charged with a political message, took part in children’s identity development. Nowadays, six of them still remember that day, when a crowd received them singing all together “your parents will come back”.

Ever since Pedro confessed to his parents his sexual status, unable to remove it from the head, even he imagined his parents in the most embarrassing situations.