In 1976, the Ford Falcon ceased to be a family car and became the preferred vehicle for kidnapping people during the civil-military dictatorship. The complicity of the iron that had the most fans during the last civil-military dictatorship in Argentina.

The Retina Comunidad Valenciana association, with the support of its Alicante branch, has developed this audiovisual project to give a voice to people affected by retinal dystrophies and raise awareness of their impact.

About a woman who was a child refugee from the Spanish Civil War, and is now living as an adult in Mexico City. She tries to remember the traumatic events of her childhood.

After a man's death, his sister must take care of her niece, result of an extramarital relationship with a singer of color.

A murderer kills by accident in order to discover whether he is something or someone.

In this alternative map of Iquitos we walk through the architectural vestiges of the rubber era, where each node is a facade of empty holes and beautiful tiles imported by the rubber tappers who tried to replicate within our jungle a little piece of their Europe, at the cost of exploitation and murder of more than 100 Amazonian primitive communities/ethnicities. The journey through these points of the city seeks to be an exercise where, through reflection, the bodies and the present occupy that emptiness, to claim it as their own.

Short documentary about Carlos Ortúzar's El Cuarto Mundo, sculpture created to be placed in the front of the tower of one of the most important buildings made during the Unidad Popular goverment, the Unctad III building. Commissioned by Salvador Allende to host the Third World Conference of the United Nations, the building was inaugurated on April 3rd, 1972. El Cuarto Mundo was an unprecedented sculptural proposal for its time; its circles moved with the wind and were reflected in a mirror of water, integrating into its surroundings and context. On September 11, 1973, the coup d'état took place in Chile. Days later, the sculpture, along with other works located there, was dismantled and disappeared, with no traces of its parade known to this day.

Another film about a squat, this documentary tells the story of Laboratorio 3, a squatted former print works in the Lavapiés neighbourhood of Madrid that was converted into a flourishing self-managed political, social, cultural, artistic centre. Needless to say, the local authorities were not happy...

Poems from different eras are intertwined with an immigrant's present.

Xiomara is a young woman who dreams of becoming a beauty queen by winning a beauty pageant since she was a kid, she will have to face the mysterious emptiness that Esteban left in everybody around her when he left, for her to achieve her dream.

A desperate, unemployed journalist, also in the midst of a serious marital crisis, begins to rethink his life and his profession. This is a philosophical portrait of contemporary Argentina.

The Chilean Atacama desert provides the backdrop for a series of static shots that foreground emptiness. The natural setting becomes a mental space. The artist systematically studies material limits, the invisible, the unintelligible. She explores emptied landscapes as allegories of sensory deception and metaphors of fragility.

Oteiza is no longer with us. But his sculptures remain. Six of them rest in the city of Pamplona, ​​contemplating streets and passersby who walk by without noticing them, without pausing. This documentary seeks to give voice to these pieces, almost in a literal sense: Oteiza's words, recorded in his vast sound archive, return with all their power. They return with poignant disquisitions, crystalline verses, metaphysical crossroads. They return to where they were born: to life. They return to portray a profound soul, always faithful to the depth of his thought.

Don Plascencio has a collection of men he uses like radio stations: in a routine aural examination each man plays a different musical piece instead of the usual heartbeat.