An elderly widow women named Hazel lives in a farmhouse full of antiques. When a conman named Merv Pottinger arrives he persuades her into selling him a picture at a low price.

Sally Goode has been blind from birth. Tony Hill took her to a location unknown to her and recorded her describing what she found. By touch and sound she learns about the place and, with imagination, simplicity of expression and a joyful openness she articulates her findings. The sighted must see through her hands to experience this place. Objects, normally recognisable at a glance, become stranger and less identifiable when described by touch and without the vocabulary of vision.

Using video, 16mm film, installation and photography, Koester’s work explores those troubled interzones between conscious and unconscious, the occult and the rational. The body and the notion of performance are recurring themes in his work. Koester is a conceptual, experimental artist who dramatizes the human body and creates a language of movement and gestures that evoke questions of trance and possession.

A 30 minute narrative film. Winner of 'Best Foreign Film' at the 33rd Student Academy Awards. Nomakaya, a policewoman, haunted by the memory of the death of a boy and she must decide between the city she lives in and her rural home when her own child needs protecting. Her father, now too weak to look after him, travels to Johannesburg to convince her to return. It is through a street kids, Moses, that she is able to forgive, and resume her responsibilities as a mother.

In the 1970s, two exciting discoveries of human fossil remains, focused world attention on Australia. Evidence implied that two very different types of people lived in Australia long before the emergence of the modern Aborigines. The key scientisit in both finds, Dr. Alan Thorne presents OUT OF TIME, OUT OF PLACE, revealing for the first time origins of the first Australian. Doctor Thorne takes us on an exciting search that includes Java, China, the UK, Kow Swamp and Lake Mungo where the earliest Australians were found. This documentary takes us back 30,000 years and beyond, giving answers to many of the dreamtime stories of the origins of Australians.

Setting up her typewriter on streets across the country, 21-year-old Abi Mott taps out poetry that captures people’s lives with stunning clarity. In “A Place of Truth,” director Barrett Rudich creates an intriguing portrait of a millennial woman bringing her charm, intuition and courage to the daunting task of being a busking poet.

Monica is a Chinese immigrant living in the UK with her boyfriend. After having lunch date with her British colleague, Bonnie, she begins to dream about something more than her monotonous life.

This film sets out to break with the sensation or experience of time in a linear way. Here, we see the future, the present and the past at the same time, in order to build patterns and rhythms that go beyond everyday human experience.

This documentary features Islesford Island, Maine, one of many small but inhabited islands off the east coast of America.

The Power of Place explores the places, issues, and people affected by Northern Pass, a proposed 180-mile long electricity transmission line project in New Hampshire that will carry electricity from Quebec to southern New England. In this 50-minute film, New Hampshire-based conservation photographer and author Jerry Monkman interviews people throughout the state to explain opposition to Northern Pass. Jerry also spent months in the field applying his signature landscape photography style to filming the places in the path of the project, including the Appalachian Trail and the White Mountain National Forest.

Clark and Catherine’s relationship with their father Jack has been strained ever since the divorce, but Jack hopes that Easter dinner will help to put everything on the right course. However, his announcement that he will be marrying their childhood best friend Sergio only riles them up even further.

The threads of a rural English family are torn apart when the youngest brother undercuts the family for his own gain, forcing them to discover the limits of their faith in one another.

Documentary on Elephant poaching in Zimbabwe.

A young boy battles the complexities of a grown-up world with his father.

In the spring of 1845, William Henry Fox Talbot made four photographs of the Royal Exchange in London. What appears in these photographs is not only the nineteenth century edifice of a financial institution, but also an early limitation of the technology of photography itself: its inability to capture and clearly represent objects in movement. Beginning with this image of finance and the limitations of photography, In Place of Capital unfolds in the strange place between economic movements and the realm of pictorial representation after the invention of photography.

Exploring the Liverpool suburb of Walton through the eyes of its residents – highlighting grassroots initiatives and the transformative power of art.